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A loose remake of Female Trouble with Polyester’s subversively accessible polish, Serial Mom is the strongest film of the post-midnight-movie chapter of John Waters’s career. Successfully uniting his classic themes of celebrity, crime, exploitation filmmaking, the horrors of suburban interior design, and the idiocy of American politesse, Serial Mom stars Kathleen Turner as Beverly Sutphin, a cheerful but mutedly uppity housewife who serves up waffles and maternal advice while swatting flies with glee and none too silently clicking her tongue when she spies her neighbors forgetting to recycle. While Beverly’s doting, June Cleaver-worthy fastidiousness is taken as a minor anomaly in 1990s America, most who encounter her take her retrograde attitudes as a welcome return to traditional American values. The problem comes when those same people don’t live up to her standards.
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5-0 Meaning
Even the locations are cameos of a sort: The school in the film was the one that Divine attended; and the video store was John’s actual neighborhood video store. There’s a clip of a William Castle film playing at one point; he was a horror director whom John Waters would go on to play on the show Feud. Permission to use the church was the most difficult to obtain of any of the locations, but it was the use of “Tomorrow” from Annie that carried the most absurd price tag. It cost $60,000 to use the song, due to the murderous context in which it gets played. And imagine what the movie might have been if Kathleen Turner had turned it down: Meryl Streep was considered for her role as was Glenn Close. Even Julie Andrews was potentially slated to star.
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Any one of them would have been magnificent of course — and who knows, maybe there’s still time for a Serial Grandma sequel. Perhaps because true-crime stories were less widespread back then, people still think that Serial Mom is a true story. People continue to ask Waters whatever happened to Beverly Sutphin, even though there’s no such real person. In fact, if there’s any real basis for the mom in the film, it might be John’s own mother. Serial Mom has always been her favorite of his works, and he based the character’s fussy high standards at least in part on her.
Of course, she never stabbed anyone — that we know of.
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